here's my set, with overlays / fade-ins noted for your feeble attempts at recreating the swift elegance and mastery with which i led the empty art room (+ sporadic appearances of mr simos) through the waves of sound:
- start things off w/ a chopped-and-screwed version of Teardrop w a lurching beat to provide a stable ground
- at 0:52 add goat sounds as some scintillating rhythmic interplay
- at about 1:20 into teardrop some tonal tension and atmosphere w/ police sirens
- ride it out, let it play, and then SMASH IN this driving filter tune
- NOTE: keep this pretty racist website open to drop troubling and brash soundbites on the downbeats every so often.
- as that amps up, bring in the opening guitar twang of Can You Get To That by funkadelic, which i've cordially looped for you:
- let that play on its own for a little. ride it out. occasionally, threaten to bring in... the second verse of NIN's Perfect Drug, but don't ever fully integrate. just dangle it there.
- eventually, bring in this video of a news report in a florida bridge collapsing
- and when the man begins to choke back tears, add both fireworks and Wandering Star. at this point you are set. let all 3 videos play & admire your set.
- when wandering star ends you'll have 9 hours and 56 minutes left of fireworks, which is the perfect comedown for a set of such intensity.
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